Gavin Shane DeGraw (born February 4, 1977) is an American musician and singer-songwriter. He is known for his songs "Chariot", "Follow Through", "I Don't Want to Be" (which has been featured as the theme song for the television drama series, One Tree Hill since 2003), "In Love with a Girl", and "Not Over You".DeGraw rose to fame in 2003 when "I Don't Want to Be" was chosen as the theme song for teen drama One Tree Hill.[7] The song has also been performed on American Idol[8] and Idol Sweden[9] by various contestants during different seasons.
DeGraw released his debut album, Chariot on July 22, 2003 under J Records.[10] Chariot was recorded at Los Angeles' music studios,Sunset Sound and produced by Mark Endert.[1] Chariot sold over a million copies and earned platinum certification.[11] The album also featured three of DeGraw's singles: "I Don’t Want To Be", "Follow Through" and "Chariot".[11] He then went on to release an acoustic version of the album called Chariot Stripped in 2004. Chariot Stripped contains a cover version of Sam Cooke's "A Change Is Gonna Come".[12]
DeGraw's second album, self-titled Gavin DeGraw was released on May 6, 2008.[10] The first single, "In Love with a Girl" was released on February 12, 2008. The second U.S. single "Cheated On Me" was released in the US on September 30, 2008. This was followed by the Live From Soho album, released on Nov 7 2008, featuring mostly tracks from Gavin DeGraw.[13] Gavin DeGraw debuted at No. 1 on the digital sales chart and ranked at No. 7 on Billboard’s Top 200 album chart.[11]
Gavin Degraw's third album, Free was released March 31, 2009.[14] DeGraw made Free in less than two weeks at the Brooklyn studio of his producer Camus Celli. DeGraw included some songs on the album that he wrote very early in his career and that have evolved over time, songs such as "Dancing Shoes" and "Glass".[1] The debut single from the album, "Stay", was released on March 11, 2009.[15] FREE has been described as "recorded versions of his live favourites".[11]
DeGraw's fourth, and most recent album, Sweeter was set to release on August 9, 2011 but got pushed back to September 20, 2011.[16] The album features many tracks co-written with other artists. The first single "Not Over You" was released on iTunes in June.[17] The track was co-written and produced by Ryan Tedder and was said to be inspired by Kyle Craig.[18] "Not Over You" is his first song to reach the top spot on the Adult Pop Songs.[19] Sweeter contains collaborations from producers including Butch Walker, Eric Rosse, and Ron Aniello; alongside another co-written title track, "Sweeter" with Andrew Frampton. The album was recorded in many locations including Blackbird Studios in Nashville, Walker’s Space in Venice and the Henson Recording Studios.[11]
Sweeter is DeGraw's first album released under RCA Records, all three of his previous albums were released under J Records. DeGraw went on to release an acoustic album based mostly on songs from Sweeter. The iTunes Session album features seven tracks and a 30 minute interview.[20]
DeGraw has released a number of music videos as well, including "I Don't Want to Be", "Follow Through" and "Chariot". The latter was directed by Zach Braff, who also directed music videos for Joshua Radin.[6][edit]
DeGraw's song "More Than Anyone" was selected by fans of One Tree Hill through a Cingular Wireless contest as the first wedding dance song for Nathan & Haley in the 3rd season finale "The Show Must Go On."[24]
He and his brother opened The National Underground in December 2007, a New York City music venue that is a roots rock Americana music bar located in Manhattan's Lower East Side, at 159 East Houston Street between Allen Street and Eldridge Street.[25] The venue offers music, food, and drink.[26][27][28] The idea for the venue came about because the brothers wanted a place where they could hang out on a regular basis, and where other musicians could come in and listen and learn.[29] "We were picky about the quality of musicians that played there," Gavin DeGraw says. "We wanted a place where the players were so good, other musicians were like, 'Wow! I really respect what they're doing.'"[30]
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